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In one of the top masterpieces of Soviet satire a brilliant con artist, to win a bit of money, convinces a local small-town chess club that he is a traveling maestro and organizes a tournament. He first gathers the fees from the awe-struck yokel-enthusiasts and then plays "twelve identical matches" without understanding much of what he is actually doing, this being the second chess game of his lifetime, but placing the figures more or less correctly, with the terrified locals reading too much into his banal moves. Very soon, however, he good-naturedly utterly loses all twelve simultaneous games, to the amazement of the town. Buy then, however, he has gained the time he needed and escapes with the money. He is not a good player, but he is a winning one.

The novel is The Twelve Chairs of which there are both English translations and film adaptation DVDs actually available from Amazon.com. The first film adaptation of the book was actually a Mel Brooks comedy, which is a loose adaptation, recommended only for Brooks fans. The best Russian adaptation is the 1976 mini-series by Mark Zaharov, one of the greatest Russian directors of all time, though he may not sound as familiar as Tarkovsky.

At the heart of the satire is that a good player, poker or otherwise, can be defined by what his goal is. The fictional con man of the satire was an effective chess player because his goal was to make some money and run, and he did just that. In addition, he was ever so cognizant of his shortcomings as a chess player and structured a plan to play fast and get out with the money before the townsfolk were onto him.

There are numerous poker players out there who do not recognize their lack of ability. Poker players are blessed with an overactive ego, possibly due to the riskiness of the game giving the players a certain bravura. Unfortunately for them and fortunately for the good player, they didn't get the concept that poker is a complicated, demanding game which requires education and hands-on experience to succeed at all. For those who are clear on the concept, the game can be most profitable.

There are also the players who have simply learned a set of rules they strictly follow without applying much thought or trying to improve radically. They conceal their inferiority carefully enough to convey the impression of competence and mostly win in terms of overall profits. If that is their sole purpose for playing, than they may be called good players.

In poker as art, however, all of these people are not real players (to avoid calling them bad). They are on the set somewhere, but theirs are not exactly the leading roles. A good poker player is one who is eager and grateful for yet another insight which might still improve his already nuanced game of thought, skill, showmanship, and perception. He or she admits his weaknesses and strives to have as round a set of skills as possible.

The author is a full time online poker player and makes the majority of his income from his online play and rakeback at Doyles Room. To sign up for a Rakeback account of your own visit Rakeback Solution.

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